The Cage

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II. 2075 Civil Press


Place: Kathmandu (Nepal)
Dates: November 2018
Partners: Nepal Point, Photo Kathmandu, Blind Society and University of Kathmandu. 
Team: Rohan Thapa, Sarbesh Dhungana, Sujan Chitrakar, Alejandro Acín, Anjila Manandhar, Hitesh Vaidya, Julián Barón, Diwas Maharjan, Tashi Lama, Nikash Yonjan, Rupesh Man Rajiv Singh, Riya Riiya Dhungel, Pooja Duwal, Yashaswee Shrestha and Sujaan Shrestha.  

︎ Nepali Archive Youtube Channel
︎ Experimental publication
︎ Public Installation
︎  Dossier



Within the workshop program of PhotoKathmandu 2018, THE CAGE: 2075 CIVIL PRESS coordinated by Alejandro Acin (IC-Visual Lab), Julián Barón and fixed by Rohan Thapa (Nepal Point, Photography Art Center), in collaboration with students from Kathmandu University School of Arts and Education. In Kathmandu, THE CAGE’s team behaved like a NEWSROOM encouraging local citizens to visually respond to current socio-political issues. By activating the 2075 Nepali Archive which is composed of official, unofficial, cooperative, community, and personal images – both physical and digital, where participants have produced an experimental publication and series of public interventions to disseminate the results. 




II. 2075 Civil Press


Place: Kathmandu (Nepal)
Dates: November 2018
Partners: Nepal Point, Photo Kathmandu, Blind Society and University of Kathmandu.
Team: Rohan Thapa, Sarbesh Dhungana, Sujan Chitrakar, Alejandro Acín, Anjila Manandhar, Hitesh Vaidya, Julián Barón, Diwas Maharjan, Tashi Lama, Nikash Yonjan, Rupesh Man Rajiv Singh, Riya Riiya Dhungel, Pooja Duwal, Yashaswee Shrestha and Sujaan Shrestha.  

︎ Nepali Archive Youtube Channel
︎ Experimental publication
︎ Public Installation
︎  Dossier


Within the workshop program of PhotoKathmandu 2018, THE CAGE: 2075 CIVIL PRESS coordinated by Alejandro Acin (IC-Visual Lab), Julián Barón and fixed by Rohan Thapa (Nepal Point, Photography Art Center), in collaboration with students from Kathmandu University School of Arts and Education. In Kathmandu, THE CAGE’s team behaved like a NEWSROOM encouraging local citizens to visually respond to current socio-political issues. By activating the 2075 Nepali Archive which is composed of official, unofficial, cooperative, community, and personal images – both physical and digital, where participants have produced an experimental publication and series of public interventions to disseminate the results.